On 2019, the song "Toccata & Gigue in D Minor: I. Allegro, Adagio" was released by Alessandro Scarlatti, Marcello di Lisa. The duration of Toccata & Gigue in D Minor: I. Allegro, Adagio is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Toccata & Gigue in D Minor: I. Allegro, Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Scarlatti: Toccatas & Keyboard Works". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Toccata & Gigue in D Minor: I. Allegro, Adagio is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Toccata & Gigue in D Minor: I. Allegro, Adagio by Alessandro Scarlatti, Marcello di Lisa having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Prima d’esservi infedele, H. 578: Recitativo. Ma se con bella fede | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | D♭ Major | 3 | 3B | 95 BPM | ||
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Fasch : Symphony in G major : IV Presto | Johann Friedrich Fasch, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 2 | 10B | 129 BPM | ||
La Giuditta: Dormi o fulmine | Alessandro Scarlatti, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 0 | 10B | 63 BPM | ||
Oboe Concerto in D minor - Allegro | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 3 | 5A | 100 BPM | ||
Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM | ||
Mentre un Zeffiro arguto, H. 421: Aria. Sirena che alletti | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | D♭ Major | 3 | 3B | 95 BPM |
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