"Lift up your heads, O ye gates" by Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson was released on December 12, 2019. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson's "Kenneth Leighton: Sacred Choral Works" album is number 1 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Lift up your heads, O ye gates is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lift up your heads, O ye gates by Kenneth Leighton, Choir of St Mary's Cathedral, Edinburgh, Samuel Jenkins, Joseph Beech, Duncan Ferguson to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Advance Democracy | Benjamin Britten, Collegium Vocale zu Franziskanern Luzern, Ulrike Grosch | E♭ Major | 0 | 5B | 132 BPM | ||
Requiem, Op. 9: IX. In Paradisum | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
Crucero Day's | Crucero Vibes | B♭ Major | 0 | 6B | 133 BPM | ||
Veris Gratia, Op. 9: III. Andante semplice | Kenneth Leighton, Vernon Handley, Royal Liverpool Philharmonic Orchestra, Raphael Wallfisch, George Caird | G Minor | 1 | 6A | 86 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Cantate Domino | Marc' Antonio Ingegneri, Choir of Girton College, Cambridge, Gareth Wilson, The Western Wyndes | D Major | 0 | 10B | 101 BPM | ||
Corpus Christi | Gregorian Chants, Cantori Gregoriani | B Major | 1 | 1B | 75 BPM | ||
Best Room | Nicolas Fayolle | B♭ Major | 1 | 6B | 85 BPM | ||
Jazz Missa Brevis: Sanctus | Will Todd, St Martin's Voices | C Major | 2 | 8B | 95 BPM |
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