"Liebestraum, Op. 62, S. 541: No. 3, Oh Lieb so Lang du Lieben Kannst, in A-Flat Major" by Arthur Rubinstein was released on February 21, 2013. With this song being about 5 minutes long, at 4:37, "Liebestraum, Op. 62, S. 541: No. 3, Oh Lieb so Lang du Lieben Kannst, in A-Flat Major" by Arthur Rubinstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Arthur Rubinstein's "Grosse Pianisten - Arthur Rubinstein" album is number 12 out of 16. Liebestraum, Op. 62, S. 541: No. 3, Oh Lieb so Lang du Lieben Kannst, in A-Flat Major is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liebestraum, Op. 62, S. 541: No. 3, Oh Lieb so Lang du Lieben Kannst, in A-Flat Major by Arthur Rubinstein to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l’après-midi d’un faune | Claude Debussy, Philippe Bernold, Ariane Jacob, Gérard Caussé, Isabelle Moretti | B Major | 0 | 1B | 70 BPM | ||
Le maître et l'élève, Op. 96: No. 2, Moment musical | Moritz Moszkowski, Antony Gray, Nickush Bhudia | F Minor | 1 | 4A | 100 BPM | ||
Sonata No. 84 in D Major, R;413 | Antonio Soler, Luis Fernando Pérez | D Major | 2 | 10B | 130 BPM | ||
Gianni Schicchi: O mio babbino caro (Arr. Yvar Mikhashoff) | Giacomo Puccini, James Rhodes | A♭ Major | 0 | 4B | 65 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XXIV | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | D♭ Major | 0 | 3B | 134 BPM | ||
Fauré: Dolly Suite, Op. 56: I. Berceuse (For Piano 4-Hands) | Gabriel Fauré, Jean-Philippe Collard | E Major | 1 | 12B | 140 BPM | ||
Sonata in A Major: I. Allegretto ben moderato | César Franck, Lisa Jacobs, Ksenia Kouzmenko | A Major | 1 | 11B | 87 BPM | ||
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati | Christoph Willibald Gluck, Evgeny Kissin | D Minor | 0 | 7A | 103 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major. Andante | Franz Schubert, Alfred Brendel | G Minor | 1 | 6A | 137 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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