Hayden's ' "Robbed Blind" was released on its scheduled release date, January 1, 2004. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Robbed Blind's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 15 in Elk-Lake Serenade by Hayden. Robbed Blind is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Robbed Blind by Hayden is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let's Break Up | Hayden | A♭ Major | 7 | 4B | 184 BPM | ||
O! Grace | Magnolia Electric Co. | F♯ Major | 5 | 2B | 96 BPM | ||
Misty | Clem Snide | E Major | 2 | 12B | 139 BPM | ||
White Shoes | Conor Oberst, The Mystic Valley Band, Conor Oberst and the Mystic Valley Band | C Major | 3 | 8B | 162 BPM | ||
Strange Negotiations | David Bazan | E Minor | 3 | 9A | 128 BPM | ||
Wide Awake | J Mascis | G Major | 3 | 9B | 111 BPM | ||
Elastic Days | J Mascis | G Major | 5 | 9B | 130 BPM | ||
Deep Red Bells | Neko Case | B Minor | 7 | 10A | 113 BPM | ||
Only as the Day is Long | Sera Cahoone | B♭ Major | 4 | 6B | 127 BPM | ||
The Never-Ending Present | Gord Downie | D Major | 6 | 10B | 98 BPM | ||
Of Minor Prophets And Their Prostitute Wives | Pedro The Lion | A Minor | 4 | 8A | 79 BPM | ||
God in Chicago | Craig Finn | F Major | 4 | 7B | 118 BPM | ||
Avenues | Whiskeytown | D Major | 2 | 10B | 72 BPM | ||
Movie Music Kills A Kiss | Califone | C Major | 3 | 8B | 95 BPM | ||
My Mother Was A Chinese Trapeze Artist | Tarkio | G Major | 6 | 9B | 139 BPM | ||
Peaks & Valleys | Dan Mangan | C Major | 7 | 8B | 113 BPM | ||
The East Wind | Gord Downie | A Major | 7 | 11B | 141 BPM | ||
Hard To Be | David Bazan | A Major | 5 | 11B | 108 BPM | ||
Tell Her What I Said | The Sadies | A Major | 7 | 11B | 145 BPM | ||
One For You, One For Me | Bright Eyes | F Major | 8 | 7B | 94 BPM | ||
Don't Wake the Scarecrow | The Felice Brothers | D Major | 4 | 10B | 141 BPM | ||
Common Knowledge | Conor Oberst | C Major | 3 | 8B | 91 BPM | ||
Grace | Clem Snide, Eef Barzelay | D Major | 4 | 10B | 82 BPM | ||
Cape Canaveral | Conor Oberst | A Major | 6 | 11B | 126 BPM | ||
Supercomputer | Neva Dinova | F♯ Minor | 4 | 11A | 115 BPM |