Hector Berlioz, Robert Massard, Nicolai Gedda, Jules Bastin, Christiane Eda-Pierre, Jane Berbié, Roger Soyer, Derek Blackwell, Robert Lloyd, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis's 'Benvenuto Cellini / Act 2: "Du métal!" - "Quelle paleur" - "Maître, maître!" - "Hélas!" - "Je suis perdu!"' came out on January 1, 1972. Since Benvenuto Cellini / Act 2: "Du métal!" - "Quelle paleur" - "Maître, maître!" - "Hélas!" - "Je suis perdu!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 20 out of 45 in Berlioz: Benvenuto Cellini by Hector Berlioz, Nicolai Gedda, Christiane Eda-Pierre, Jane Berbié, Roger Soyer, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Benvenuto Cellini / Act 2: "Du métal!" - "Quelle paleur" - "Maître, maître!" - "Hélas!" - "Je suis perdu!" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Benvenuto Cellini / Act 2: "Du métal!" - "Quelle paleur" - "Maître, maître!" - "Hélas!" - "Je suis perdu!" by Hector Berlioz, Robert Massard, Nicolai Gedda, Jules Bastin, Christiane Eda-Pierre, Jane Berbié, Roger Soyer, Derek Blackwell, Robert Lloyd, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell | Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch | A♭ Major | 0 | 4B | 82 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 101 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Les francs-juges: Les Francs-Juges, Op. 3 | Hector Berlioz, San Diego Symphony Orchestra, Yoav Talmi | F Minor | 0 | 4A | 93 BPM | ||
Berlioz: Berlioz: Lélio, ou le retour à la vie, Op. 14bis, H. 55b: II. "L'onde frémit" (Horatio) | Hector Berlioz, Jean Martinon, Charles Burles, Michel Sendrez, Orchestre National de l'O.R.T.F. | F Minor | 0 | 4A | 83 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM |
Section: 1.1378173828125
End: 1.141779899597168