Sarah - Live at the Sydney Opera House, 2017
Benjamin Northey, Kate Miller-Heidke, Sydney Symphony Orchestra
Live at the Sydney Opera House
4:34 August 11, 2017
BPM
76
Key
E Minor
Camelot
9A

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Sarah - Live at the Sydney Opera House, 2017 - Benjamin Northey, Kate Miller-Heidke, Sydney Symphony Orchestra Information

Acousticness
77%
Danceability
53%
Energy
29%
Instrumentalness
0%
Liveness
75%
Loudness
79%
Speechiness
43%
Valence
51%
Popularity
Loudness
-12.477 dB

Summary

Benjamin Northey, Kate Miller-Heidke, Sydney Symphony Orchestra made "Sarah - Live at the Sydney Opera House, 2017" available on August 11, 2017. With this song being about 5 minutes long, at 4:34, "Sarah - Live at the Sydney Opera House, 2017" by Benjamin Northey, Kate Miller-Heidke, Sydney Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Benjamin Northey, James Morrison, Patti Austin's "Live at the Sydney Opera House" album is number 15 out of 17. On top of that, Australia appears to be the country where this track was created. Sarah - Live at the Sydney Opera House, 2017 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Sarah - Live at the Sydney Opera House, 2017 BPM

We consider the tempo marking of Sarah - Live at the Sydney Opera House, 2017 by Benjamin Northey, Kate Miller-Heidke, Sydney Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Sarah - Live at the Sydney Opera House, 2017 Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

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ISRC
AUAB01700616
Label
L-M Records/RCA Records

Section: 0.15178179740905762

End: 0.15685296058654785