Jerry Orbach, Gwen Verdon, M. O'Haughey, Chicago Ensemble's 'We Both Reached for the Gun' had a release date set for 1975. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 18 in Chicago: A Musical Vaudeville (Original Broadway Cast Recording) by Original Broadway Cast of Chicago: A Musical Vaudeville. Based on our statistics, We Both Reached for the Gun's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of We Both Reached for the Gun by Jerry Orbach, Gwen Verdon, M. O'Haughey, Chicago Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Home | Glory Crampton, Richard White | G Major | 2 | 9B | 112 BPM | ||
Off to Massachusetts | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | A Major | 3 | 11B | 136 BPM | ||
Heart | Russ Brown, Jimmie Komack, Nathaniel Frey, Albert Linville | A♭ Major | 2 | 4B | 127 BPM | ||
Song on the Sand | Kelsey Grammer, Douglas Hodge | F♯ Major | 1 | 2B | 86 BPM | ||
I Could Be Happy With You - Remastered album version | Sandy Wilson, Jerry Orbach | C Major | 3 | 8B | 180 BPM | ||
Opening (Our State Fair) | John Davidson, Charles Goff, Kathryn Crosby, Ben Wright, Rodgers & Hammerstein | C Major | 4 | 8B | 125 BPM | ||
Can-Can: Come Along With Me | Cole Porter, Lilo, Peter Cookson, Hans Conried, Erik Rhodes, Gwen Verdon, Studio Chorus, Milton Rosenstock | F Major | 6 | 7B | 160 BPM | ||
Too Much Exposition | Jeff McCarthy, Urinetown Ensemble | F Major | 3 | 7B | 163 BPM | ||
The Company Way | Daniel Radcliffe, Rob Bartlett | A♭ Minor | 3 | 1A | 128 BPM | ||
Welcome to the Renaissance | Michael James Scott, 'Something Rotten' Ensemble | C Major | 6 | 8B | 131 BPM |