l'Enfant Prodigue: L'année en vain...Cependant les soirs. - Claude Debussy, Barbara Hendricks, Paavo Järvi, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France Information

Acousticness: 98%
Danceability: 22%
Energy: 7%
Instrumentalness: 0%
Liveness: 10%
Loudness: 65%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -21.013 dB

Summary

"l'Enfant Prodigue: L'année en vain...Cependant les soirs." by Claude Debussy, Barbara Hendricks, Paavo Järvi, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France was released on June 5, 1987. With this song being about 5 minutes long, at 5:07, "l'Enfant Prodigue: L'année en vain...Cependant les soirs." by Claude Debussy, Barbara Hendricks, Paavo Järvi, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 10 in Airs d'Opera - Opera Arias by Barbara Hendricks, Paavo Järvi, Orchestre Philharmonique de Radio France. l'Enfant Prodigue: L'année en vain...Cependant les soirs. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

l'Enfant Prodigue: L'année en vain...Cependant les soirs. BPM

The tempo marking of l'Enfant Prodigue: L'année en vain...Cependant les soirs. by Claude Debussy, Barbara Hendricks, Paavo Järvi, French Radio Philharmonic Orchestra, Orchestre Philharmonique de Radio France is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

l'Enfant Prodigue: L'année en vain...Cependant les soirs. Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Vocalise, Op. 34, No. 14 - Version For Cello And Piano	Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov	E Minor	8	9A	128 BPM
Bluebird	Alexis Ffrench	B♭ Major	1	6B	75 BPM
Over the Mountains High (arr. J. Lloyd Webber for cello and piano)	Frederick Delius, Julian Lloyd Webber, John Lenehan	C Major	0	8B	71 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor	Jean Sibelius, Håvard Gimse	B Minor	0	10A	84 BPM
Saint-Saëns / Transcr. Vidal: Le carnaval des animaux: XIII. Le cygne	Camille Saint-Saëns, Gautier Capuçon, Douglas Boyd, Orchestre de chambre de Paris	G Major	0	9B	82 BPM
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto	Fanny Mendelssohn, Beatrice Rauchs	G Minor	1	6A	107 BPM
The Arts and the Hours	Jean-Philippe Rameau, Víkingur Ólafsson	D♭ Major	0	3B	136 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6103987693786621

End: 0.6141974925994873