Marya Martin, Edward Arron, Jesse Mills, Danielle Farina's 'Bridgehampton Suite: Fleet and Energetic' had a release date set for May 1, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Marya Martin Plays Eric Ewazen" album is number 8 out of 15. In terms of popularity, Bridgehampton Suite: Fleet and Energetic is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bridgehampton Suite: Fleet and Energetic by Marya Martin, Edward Arron, Jesse Mills, Danielle Farina to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertissement for Solo Tuba: II. Waltz | Joseph Bartz | F Minor | 0 | 4A | 72 BPM | ||
Ballade , Pastorale and Dance: III. Dance | Eric Ewazen, Vieri Bottazzini, Brunce Bonnell, Peter Green | F♯ Major | 1 | 2B | 117 BPM | ||
Suite, Op. 54: Andantino cantabile | Ladislav Aloys, Deutsches Horn Ensemble | G Major | 0 | 9B | 93 BPM | ||
Concerto in F Minor, Op. 18: I. Allegro moderato | Oskar Böhme, Thomas Hooten, Rebecca Wilt | F Minor | 1 | 4A | 99 BPM | ||
Petite Suite, L. 65 (Arr. for Chamber Ensemble by Shuhei Isobe): I. En bateau | Claude Debussy, Tokyo Sextet | G Minor | 1 | 6A | 73 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 5, Stets sehr gehalten | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Carmen Fantasy - IV. Habenera: (Bizet) | Joseph Alessi | B♭ Major | 0 | 6B | 114 BPM | ||
Improvisation et caprice: Caprice | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | E♭ Major | 1 | 5B | 175 BPM | ||
Tuba Concerto: I. Allegro deciso | Edward Gregson, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 110 BPM | ||
World Concerto: III. Allegretto | Ben van Dijk, The Amsterdam Staff Band of the Salvation Army | F Major | 2 | 7B | 152 BPM |