On August 1, 2002, the song "Piano Sonata No. 8: IIa. A Trip to the Attic – A Tear or Two for a Childhood Forever Gone. The Bugler" was released by Leo Ornstein, Marc-André Hamelin. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 25 out of 29. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Piano Sonata No. 8: IIa. A Trip to the Attic – A Tear or Two for a Childhood Forever Gone. The Bugler is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Piano Sonata No. 8: IIa. A Trip to the Attic – A Tear or Two for a Childhood Forever Gone. The Bugler by Leo Ornstein, Marc-André Hamelin to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Memories in Watercolor (2002 Version): No. 4, Blue Nun | Tan Dun, Ralph van Raat | C Major | 2 | 8B | 184 BPM | ||
Preludes Op.23: Preludes, Op. 23: No.6 in E-Flat Major. Andante | Sergei Rachmaninoff, Kathryn Stott | E♭ Major | 0 | 5B | 79 BPM | ||
Selections from Nine Miniatures for Piano: Valse | Lee Ornstein, Leo Ornstein, James Adler | A Major | 1 | 11B | 79 BPM | ||
Sucinto | João Marcondes, Camerata Inaugural | F Major | 3 | 7B | 100 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Anne-Sophie Mutter, Alexis Weissenberg | G Major | 1 | 9B | 147 BPM | ||
Ethereal Keys | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Sonata No. 1 For Cello And Piano, Op. 52: IV. moderato (con moto) | Leo Ornstein, Joshua Gordon, Randall Hodgkinson | D♭ Major | 2 | 3B | 84 BPM | ||
On an Overgrown Path, Book 1, JW VIII/17: No. 5, Štěbetaly jak laštovičky | Leoš Janáček, Jennifer Elowsky-fox | F♯ Major | 0 | 2B | 65 BPM | ||
The Corpse | Leo Ornstein, Lorin Jones-Stubbs | D Major | 3 | 10B | 144 BPM | ||
Aragón | Ernesto Lecuona, Pierre Solot | F♯ Major | 1 | 2B | 73 BPM |