"Extase - Live" by Henri Duparc, David Gray, London Symphony Orchestra, Leopold Stokowski was released on January 1, 2003. The duration of Extase - Live is about 3 minutes long, at 3:07. Based on our data, "Extase - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leopold Stokowski's "Leopold Stokowski: Decca Recordings 1965-1972 - Original Masters" album is number 12 out of 61. On top of that, United Kingdom appears to be the country where this track was created. Extase - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Extase - Live by Henri Duparc, David Gray, London Symphony Orchestra, Leopold Stokowski to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchut, Tchut, Serie 4, No. 4 | Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia Orchestra | A Major | 1 | 11B | 115 BPM | ||
Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
Allerseelen, Op.10, No.8 | Richard Strauss, Barbara Bonney, Malcolm Martineau | E♭ Major | 0 | 5B | 129 BPM | ||
Élégie | Henri Duparc, Eva Kroon, Heleen Vegter | D Minor | 1 | 7A | 178 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Testament | Henri Duparc, Paul Groves, Roger Vignoles | E Major | 2 | 12B | 77 BPM | ||
6 Lieder, Op. 86: II. Feldeinsamkeit | Johannes Brahms, Bernarda Fink, Roger Vignoles | E Minor | 0 | 9A | 94 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM |
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