Extase - Live
Henri Duparc, David Gray, London Symphony Orchestra, Leopold Stokowski
Leopold Stokowski: Decca Recordings 1965-1972 - Original Masters
3:07 January 1, 2003
BPM
67
Key
D Major
Camelot
10B

Embed

Share Link

Extase - Live - Henri Duparc, David Gray, London Symphony Orchestra, Leopold Stokowski Information

Acousticness
96%
Danceability
6%
Energy
4%
Instrumentalness
91%
Liveness
7%
Loudness
51%
Speechiness
5%
Valence
3%
Popularity
Loudness
-29.675 dB

Summary

"Extase - Live" by Henri Duparc, David Gray, London Symphony Orchestra, Leopold Stokowski was released on January 1, 2003. The duration of Extase - Live is about 3 minutes long, at 3:07. Based on our data, "Extase - Live" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leopold Stokowski's "Leopold Stokowski: Decca Recordings 1965-1972 - Original Masters" album is number 12 out of 61. On top of that, United Kingdom appears to be the country where this track was created. Extase - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Extase - Live BPM

We consider the tempo marking of Extase - Live by Henri Duparc, David Gray, London Symphony Orchestra, Leopold Stokowski to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Extase - Live Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tchut, Tchut, Serie 4, No. 4 by Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia OrchestraTchut, Tchut, Serie 4, No. 4Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia OrchestraA Major111B115 BPM
Barber - Four songs, op. 13: Sure on this shining night by Samuel Barber, Barbara Bonney, Malcolm MartineauBarber - Four songs, op. 13: Sure on this shining nightSamuel Barber, Barbara Bonney, Malcolm MartineauG Minor16A89 BPM
Del cabello más sutil by Fernando Obradors, José Carreras, Martin KatzDel cabello más sutilFernando Obradors, José Carreras, Martin KatzF♯ Major02B166 BPM
Allerseelen, Op.10, No.8 by Richard Strauss, Barbara Bonney, Malcolm MartineauAllerseelen, Op.10, No.8Richard Strauss, Barbara Bonney, Malcolm MartineauE♭ Major05B129 BPM
Élégie by Henri Duparc, Eva Kroon, Heleen VegterÉlégieHenri Duparc, Eva Kroon, Heleen VegterD Minor17A178 BPM
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word by Julián De La Chica, Briana Hunter, Eric SedgwickDispersed And Transcendental Chants, Op. 18: Chant 8. The WordJulián De La Chica, Briana Hunter, Eric SedgwickG Minor06A75 BPM
Testament by Henri Duparc, Paul Groves, Roger VignolesTestamentHenri Duparc, Paul Groves, Roger VignolesE Major212B77 BPM
6 Lieder, Op. 86: II. Feldeinsamkeit by Johannes Brahms, Bernarda Fink, Roger Vignoles6 Lieder, Op. 86: II. FeldeinsamkeitJohannes Brahms, Bernarda Fink, Roger VignolesE Minor09A94 BPM
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) by Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleDie tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul)Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian WeigleB♭ Major16B83 BPM
Te Deum: Sanctus by Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber OrchestraTe Deum: SanctusJohann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber OrchestraA♭ Minor21A125 BPM
ISRC
GBF077411390
Label
L-M Records/RCA Records

Section: 1.0038673877716064

End: 1.0076444149017334