On November 8, 2019, the song "Back for Good: Glissés 2" was released by Various Composers, Gary Barlow, Andrew Holdsworth. With Back for Good: Glissés 2 being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Reimagined for Ballet Class, Vol. 1: Songs from the 90s". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Back for Good: Glissés 2's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Back for Good: Glissés 2 by Various Composers, Gary Barlow, Andrew Holdsworth having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Battement Tendu, Degage. Moderate 2/4, 32 Measures, 8-8's | Finis Jhung & Bill Brown | B♭ Major | 1 | 6B | 163 BPM | ||
Pirouette Waltz: Pop Medley | Ian Howells Music | B♭ Major | 1 | 6B | 150 BPM | ||
Battements tendus Ⅰ(주세영) | 주세영 | A Major | 3 | 11B | 121 BPM | ||
Stretch 4/4: The Dream of Olwen (From "While I Live") | Margot Kazimirska | G Minor | 2 | 6A | 83 BPM | ||
Baby One More Time: Tendus 2 | Various Composers, Max Martin, Andrew Holdsworth | E♭ Major | 2 | 5B | 111 BPM | ||
Adagio No. 2, Ave Maria | Josu Gallastegui | C Major | 1 | 8B | 61 BPM | ||
Prince Ali (From "Aladdin"): Balançoire 16x8 | Ray Lindsey | D♭ Major | 2 | 3B | 116 BPM | ||
Don't You Want Me: Centre Practice | Various Composers, John Williams Callis, Adrian Wright, Phil Oakey, Andrew Holdsworth | D♭ Major | 2 | 3B | 110 BPM | ||
Port de bras 9/8 (The Sleeping Beauty) | Eun S. Kim | G Major | 2 | 9B | 125 BPM | ||
Frappe | BalletClassMusic | B♭ Major | 0 | 6B | 124 BPM |
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