"Le Lac des Cygnes, Op.20: Acte III, Scène 2" by L'Orchestre National du Bolchoï, Algys Juraitis was released on November 15, 2007. Since Le Lac des Cygnes, Op.20: Acte III, Scène 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "Tchaikovsky: Le Lac des Cygnes (Les Etoiles du Bolchoï)". In this album, this song's track order is #15. The popularity of Le Lac des Cygnes, Op.20: Acte III, Scène 2 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Lac des Cygnes, Op.20: Acte III, Scène 2 by L'Orchestre National du Bolchoï, Algys Juraitis having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere, Act I, Scene 1: 1. “Introduction" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 129 BPM | ||
Les Contes d'Hoffmann - Arr. M. Moszkowski: Barcarolle | Jacques Offenbach, Jean-Yves Thibaudet | A Major | 1 | 11B | 169 BPM | ||
La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
Strauss II, J: Strauss: Vom Donaustrande, Op. 356 | Johann Strauss II, Wiener Philharmoniker, Riccardo Muti | G Minor | 3 | 6A | 101 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 102 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 4. Carillon | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 0 | 12B | 115 BPM | ||
Don Quixote: Act III: Dryads' Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A♭ Major | 3 | 4B | 161 BPM | ||
Giselle: Acte II: Danse des Wilis | L'Orchestre National du Bolchoï, Algys Juraitis, Natalia Bessmertnova, Mikhail Lavrovski, Galina Kozlova | F♯ Major | 2 | 2B | 77 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: III. Der Anstieg | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 4 | 5B | 69 BPM |
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