Ginji Ito made "BABY BLUE" available on 1982. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 14 in BABY BLUE by Ginji Ito. Based on our statistics, BABY BLUE's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of BABY BLUE by Ginji Ito is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
哀愁トゥナイト | Masahiro Kuwana | A Minor | 9 | 8A | 131 BPM | ||
sure danse | Kome Kome Club | B Minor | 10 | 10A | 145 BPM | ||
Sugar Boy Blues | Ginji Ito | D Major | 6 | 10B | 138 BPM | ||
優しい夜の過し方 | Kazuhiko Kato | G Major | 4 | 9B | 106 BPM | ||
海岸通 | Kaze | D Major | 4 | 10B | 147 BPM | ||
そして僕は途方に暮れる | Yoshiyuki Ohsawa | C Major | 8 | 8B | 120 BPM | ||
横顔 | Taeko Onuki | D♭ Minor | 2 | 12A | 124 BPM | ||
思いきりアメリカン | Anri | A♭ Major | 6 | 4B | 159 BPM | ||
うわさになりたい | EPO | C Minor | 8 | 5A | 126 BPM | ||
Stay The Young - 2006 Remaster | Kazuhito Murata | A Major | 7 | 11B | 117 BPM |
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