"Schlagobers Ballet, Op. 70: Act II. Aufzug. Das Chaos" by Richard Strauss, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi was released on January 1, 1989. The duration of Schlagobers Ballet, Op. 70: Act II. Aufzug. Das Chaos is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Schlagobers Ballet, Op. 70: Act II. Aufzug. Das Chaos's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Schlagobers, Opus 70". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. Based on our statistics, Schlagobers Ballet, Op. 70: Act II. Aufzug. Das Chaos's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schlagobers Ballet, Op. 70: Act II. Aufzug. Das Chaos by Richard Strauss, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: The Love Scene | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | F♯ Major | 1 | 2B | 76 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Elektra, Op.58, TrV 223: "Was bluten muß? Dein eigenes Genick" | Richard Strauss, Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm | B♭ Major | 5 | 6B | 107 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM |
Section: 1.0471954345703125
End: 1.0505783557891846