Adolph Green, Barry Kleinbort, Betty Comden, Sara Zahn, Rod Derefinko's 'Medley: New York, New York (From "On the Town") / Christopher Street [From "Wonderful Town"] / Conquering the City [From "Wonderful Town"] / Lonely Town [From "On the Town"] [Live]' came out on June 28, 2019. Medley: New York, New York (From "On the Town") / Christopher Street [From "Wonderful Town"] / Conquering the City [From "Wonderful Town"] / Lonely Town [From "On the Town"] [Live] is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 3 out of 19 in Both Sides of Bernstein (Live) by Sara Zahn, Rod Derefinko. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Medley: New York, New York (From "On the Town") / Christopher Street [From "Wonderful Town"] / Conquering the City [From "Wonderful Town"] / Lonely Town [From "On the Town"] [Live]'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Medley: New York, New York (From "On the Town") / Christopher Street [From "Wonderful Town"] / Conquering the City [From "Wonderful Town"] / Lonely Town [From "On the Town"] [Live] by Adolph Green, Barry Kleinbort, Betty Comden, Sara Zahn, Rod Derefinko is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sweet Charity: If My Friends Could See Me Now | Cy Coleman, Gwen Verdon, Sweet Charity Original Broadway Cast, Fred Werner | F♯ Minor | 2 | 11A | 117 BPM | ||
I Can't Be Bothered Now | Kirby Ward, The "Crazy for You" Female Ensemble | D Major | 4 | 10B | 102 BPM | ||
Who Cares? / For You, For Me, For Evermore | Jill Paice, Leanne Cope, Brandon Uranowitz, Max Von Essen, Robert Fairchild | D Major | 3 | 10B | 171 BPM | ||
Long as I'm Here with You | Sheryl Lee Ralph, Thoroughly Modern Millie Ensemble | D Major | 5 | 10B | 111 BPM | ||
Love I Hear | Brian Davies | G Major | 1 | 9B | 171 BPM | ||
When The Children Are Asleep | Alexander Gemignani, Lindsay Mendez | F Major | 3 | 7B | 76 BPM | ||
Night Club Sequence | Nancy Walker, Adolph Green, Betty Comden, Cris Alexander | D Minor | 4 | 7A | 89 BPM | ||
Distant Melody | Betty Comden, Adolph Green | E♭ Major | 0 | 5B | 66 BPM | ||
Oh Is There Not One Maiden Breast | The Pirates Of Penzance | D♭ Major | 1 | 3B | 114 BPM | ||
Anatevka | Paul Lipson, Zero Mostel, Beatrice Arthur, Michael Granger, Leonard Frey, Maria Karnilova, Fiddler on the Roof Orchestra | G Major | 1 | 9B | 98 BPM |
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