"Annen-Polka, Op. 117 (Arr. Schönherr) - Recorded 1981" by Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan had its release date on May 17, 2024. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann Strauss II, Herbert von Karajan, Josef Strauss, Johann Strauss I's "Karajan A-Z: Johann Strauss - Josef Strauss" album is number 43 out of 77. On top of that, Germany appears to be the country where this track was created. The popularity of Annen-Polka, Op. 117 (Arr. Schönherr) - Recorded 1981 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Annen-Polka, Op. 117 (Arr. Schönherr) - Recorded 1981 by Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Procession of the Sardar from Caucasian Sketches, Op.10 - Instrumental | Mikhail Ippolitov-Ivanov, Eugene Ormandy, Philadelphia Orchestra | E Major | 4 | 12B | 107 BPM | ||
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Rhapsody on a Theme by Paganini, Op. 43: Variation 18. Andante cantabile | Sergei Rachmaninoff, Bella Davidovich, Royal Concertgebouw Orchestra, Neeme Järvi | D♭ Major | 1 | 3B | 70 BPM | ||
Wine, Women and Song - Waltz Op. 333 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 188 BPM | ||
Coppelia: Act I - Mazurka | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 2 | 9B | 82 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM |