- BPM
- 173
- Key
- G Minor
- Camelot
- 6A
Lost is my quiet forever, Z. 502 (arr. J. Lloyd Webber for 2 cellos and harp) - Henry Purcell, Julian Lloyd Webber, Jiaxin Lloyd Webber, Catrin Finch Information
- Acousticness
- 97%
- Danceability
- 9%
- Energy
- 6%
- Instrumentalness
- 86%
- Liveness
- 8%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 8%
- Loudness
- -23.492 dB
Summary
"Lost is my quiet forever, Z. 502 (arr. J. Lloyd Webber for 2 cellos and harp)" by Henry Purcell, Julian Lloyd Webber, Jiaxin Lloyd Webber, Catrin Finch was released on October 1, 2013. The duration of Lost is my quiet forever, Z. 502 (arr. J. Lloyd Webber for 2 cellos and harp) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Lost is my quiet forever, Z. 502 (arr. J. Lloyd Webber for 2 cellos and harp)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in A Tale of Two Cellos by Julian Lloyd Webber, Jiaxin Lloyd Webber. The popularity of Lost is my quiet forever, Z. 502 (arr. J. Lloyd Webber for 2 cellos and harp) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lost is my quiet forever, Z. 502 (arr. J. Lloyd Webber for 2 cellos and harp) BPM
The tempo marking of Lost is my quiet forever, Z. 502 (arr. J. Lloyd Webber for 2 cellos and harp) by Henry Purcell, Julian Lloyd Webber, Jiaxin Lloyd Webber, Catrin Finch is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Lost is my quiet forever, Z. 502 (arr. J. Lloyd Webber for 2 cellos and harp) Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | |
 | 6 Choruses, Op. 15: No. 4. Zadremali volni (The Waves are Dreaming) (arr. J. Lloyd Webber for 2 cellos and piano) | Sergei Rachmaninoff, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | D Major | 1 | 10B | 73 BPM | |
 | Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | |
 | Duport : Duo for 2 cellos in G major, Op.1/3 : Adagio-Presto | Jean-Louis Duport, Frédéric Lodéon, Xavier Gagnepain | G Major | 1 | 9B | 87 BPM | |
 | Sonata: Allegro | Sophia Dussek, Judy Loman | C Minor | 1 | 5A | 126 BPM | |
 | Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | |
 | Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | |
 | Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | |
 | Chanson russe (Arr. for Cello and Piano) | Igor Stravinsky, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | |
 | 4 Gesänge, Op. 70: 2. Lerchengesang | Johannes Brahms, Harriet Krijgh, Magda Amara | A♭ Major | 0 | 4B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7293450832366943
End: 0.7335608005523682