Histoire du Tango: III. Night Club 1960 (Arr. for Violin and Acoustic Guitar by Dmitriy Varelas) - Anne Akiko Meyers, Jason Vieaux Information

Acousticness: 99%
Danceability: 15%
Energy: 12%
Instrumentalness: 4%
Liveness: 8%
Loudness: 69%
Speechiness: 5%
Valence: 6%
Popularity: 8%
Loudness: -18.866 dB

Summary

"Histoire du Tango: III. Night Club 1960 (Arr. for Violin and Acoustic Guitar by Dmitriy Varelas)" by Anne Akiko Meyers, Jason Vieaux was released on May 6, 2022. Histoire du Tango: III. Night Club 1960 (Arr. for Violin and Acoustic Guitar by Dmitriy Varelas) is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 9 out of 14 in Anne Akiko Meyers – Shining Night by Anne Akiko Meyers, Jason Vieaux, Fabio Bidini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Histoire du Tango: III. Night Club 1960 (Arr. for Violin and Acoustic Guitar by Dmitriy Varelas) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Histoire du Tango: III. Night Club 1960 (Arr. for Violin and Acoustic Guitar by Dmitriy Varelas) BPM

The tempo marking of Histoire du Tango: III. Night Club 1960 (Arr. for Violin and Acoustic Guitar by Dmitriy Varelas) by Anne Akiko Meyers, Jason Vieaux is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.

Histoire du Tango: III. Night Club 1960 (Arr. for Violin and Acoustic Guitar by Dmitriy Varelas) Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphonie espagnole, Op. 21: IV. Andante	Édouard Lalo, Anne Akiko Meyers, Jesús López-Cobos	D Major	1	10B	98 BPM
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert]	Franz Liszt, Oxana Yablonskaya	D Major	0	10B	66 BPM
Litolff: Concerto symphonique No. 4 in D Minor, Op. 102: II. Scherzo	Henry Litolff, San Francisco Symphony, Michael Tilson Thomas	D Minor	3	7A	122 BPM
Cello Sonata in G Minor, Op. 19: III. Andante	Sergei Rachmaninoff, Leonard Elschenbroich, Alexei Grynyuk	E♭ Major	0	5B	90 BPM
Martynov: "Come in!", Movement IV	Vladimir Martynov, Gidon Kremer	A Major	1	11B	115 BPM
Five Melodies, Op. 35: III. Animato, ma non allegro	Sergei Prokofiev, Anne Akiko Meyers, Dmitri Kitayenko	B♭ Minor	0	3A	88 BPM
Le Carnaval des Animaux, R.125: Le Cygne	Camille Saint-Saëns, Mischa Maisky, Orchestre de Paris, Semyon Bychkov	G Major	1	9B	114 BPM
String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile	Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra	F♯ Major	0	2B	90 BPM
Violin Concerto No. 1, Op. 35: III. Cadenza	Karol Szymanowski, Anne Akiko Meyers, Kristjan Järvi, Philharmonia Orchestra	A Minor	1	8A	67 BPM
Adagio for Strings, Op. 11	Samuel Barber, London Symphony Orchestra, Andrew Schenck	B♭ Minor	0	3A	72 BPM

ISRC: GBELX2207823
Label: L-M Records/RCA Records

Section: 0.7678444385528564

End: 0.7751767635345459