"City Noir: II. The Song Is for You" by John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop was released on April 5, 2024. Since City Noir: II. The Song Is for You is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop's "John Adams: City Noir, Fearful Symmetries & Lola Montez Does the Spider Dance" album is number 2 out of 5. On top of that, Hong Kong appears to be the country where this track was created. City Noir: II. The Song Is for You is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of City Noir: II. The Song Is for You by John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hallelujah Junction: III | John Adams, Gerard Bouwhuis, Cees Van Zeeland | B♭ Minor | 3 | 3A | 120 BPM | ||
Romeo & Juliet, Op. 64, Act II: No. 23, Romeo & Mercutio | Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 139 BPM | ||
Symphony No. 1 "Jeremiah": II. Profanation | Leonard Bernstein, Baltimore Symphony Orchestra, Marin Alsop | A♭ Major | 2 | 4B | 125 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: I. Moderato con moto | Dmitri Shostakovich, Carducci String Quartet | B♭ Major | 0 | 6B | 82 BPM | ||
Arches | Dani Howard, Royal Liverpool Philharmonic Orchestra, Pablo Urbina | E Major | 1 | 12B | 147 BPM | ||
El Niño: And the Star Went Before Them | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Major | 0 | 6B | 92 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Stravinsky: The Rite of Spring, Pt. 2 "The Sacrifice": III. Glorification of the Chosen One | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: A | Morton Feldman, Ensemble Recherche | D Minor | 0 | 7A | 140 BPM |
Section: 0.7541592121124268
End: 0.758232593536377