Brideshead Revisited: No. 15, Contra Mundum
Adrian Johnston, Terry Davies, BBC Philharmonic
Johnston: Film Music from Brideshead Revisited
1:23 September 1, 2008
BPM
81
Key
E Minor
Camelot
9A

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Brideshead Revisited: No. 15, Contra Mundum - Adrian Johnston, Terry Davies, BBC Philharmonic Information

Acousticness
75%
Danceability
16%
Energy
9%
Instrumentalness
92%
Liveness
15%
Loudness
59%
Speechiness
4%
Valence
18%
Popularity
Loudness
-24.524 dB

Summary

"Brideshead Revisited: No. 15, Contra Mundum" by Adrian Johnston, Terry Davies, BBC Philharmonic was released on September 1, 2008. With Brideshead Revisited: No. 15, Contra Mundum being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Adrian Johnston, Terry Davies, BBC Philharmonic, Chris Garrick, John Etheridge, Peter Dixon, Jonathan Scott's "Johnston: Film Music from Brideshead Revisited" album is number 15 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Brideshead Revisited: No. 15, Contra Mundum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Brideshead Revisited: No. 15, Contra Mundum BPM

We consider the tempo marking of Brideshead Revisited: No. 15, Contra Mundum by Adrian Johnston, Terry Davies, BBC Philharmonic to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Brideshead Revisited: No. 15, Contra Mundum Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
GBLWD0808515
Label
L-M Records/RCA Records

Section: 0.5569396018981934

End: 0.5614981651306152