"Christus factus est pro nobis" by Felice Anerio, The Cambridge Singers, John Rutter was released on March 1, 2009. The duration of Christus factus est pro nobis is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Christus factus est pro nobis's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Sacred Flame". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Christus factus est pro nobis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Christus factus est pro nobis by Felice Anerio, The Cambridge Singers, John Rutter having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Shakespeare Songs: No. 2. Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 130 BPM | ||
Taverner: Missa Corona spinea - 08. Hosanna 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 2 | 5B | 80 BPM | ||
Open thou mine eyes | John Rutter, The Cambridge Singers | F♯ Major | 1 | 2B | 107 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Vexilla regis | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique | F Major | 0 | 7B | 82 BPM | ||
Ain't That Good News! | The Graduate Choir, nz, Terence Maskell | F♯ Major | 2 | 2B | 82 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM | ||
Lux Aterna: Lux aeterna: O Nata Lux | Morten Lauridsen, BYU Singers, Ronald Staheli | G Minor | 1 | 6A | 133 BPM | ||
Jubilate Deo omnis terra, Ch.136 (Arr. for Choir & Chamber Orchestra) | Giovanni Gabrieli, The Cambridge Singers, La Nuova Musica, John Rutter | B Major | 1 | 1B | 67 BPM | ||
Gloriana, Op. 53: Choral Dances: No. 6. Final Dance of Homage | Benjamin Britten, The Cambridge Singers, John Rutter | C Major | 1 | 8B | 133 BPM |
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