Joaquín Rodrigo, Andrés Segovia, Symphony Of The Air, Enrique Jorda's 'Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta - Toques de la Caballería de Napoles' came out on January 1, 2002. Since Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta - Toques de la Caballería de Napoles is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 10 in Andrés Segovia: Rodrigo / Ponce / Boccherini by Andrés Segovia. In terms of popularity, Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta - Toques de la Caballería de Napoles is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta - Toques de la Caballería de Napoles by Joaquín Rodrigo, Andrés Segovia, Symphony Of The Air, Enrique Jorda is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Concierto De Aranjuez: 2. Adagio | Joaquín Rodrigo, José Maria Gallardo del Rey, Orquesta Nacional De España, Rafael Frühbeck de Burgos | B Minor | 1 | 10A | 82 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Malagueña | Celedonio Romero, Pepe Romero | C Major | 1 | 8B | 96 BPM | ||
8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | D♭ Major | 0 | 3B | 66 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Larghetto (after Concerto for 4 Violins and Cello in B Minor, Op. 3, No. 10 / RV 580, arr. for Baroque Ensemble by Wolfgang Katschner) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | D Major | 1 | 10B | 112 BPM | ||
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Stefan Vladar, Capella Istropolitana, Barry Wordsworth | E♭ Major | 2 | 5B | 86 BPM | ||
The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | A Major | 0 | 11B | 84 BPM |
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