"Lieder ohne Worte II, No. 6: (...sam), Arr. for Cello & Piano" by Heinz Holliger, Sol Gabetta, Bertrand Chamayou was released on January 19, 2024. With Lieder ohne Worte II, No. 6: (...sam), Arr. for Cello & Piano being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sol Gabetta, Bertrand Chamayou's "Mendelssohn" album is number 3 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Lieder ohne Worte II, No. 6: (...sam), Arr. for Cello & Piano's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte II, No. 6: (...sam), Arr. for Cello & Piano by Heinz Holliger, Sol Gabetta, Bertrand Chamayou to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Flute and 2 Violins in G Major: III. Allegro spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 1 | 9B | 109 BPM | ||
Der magische Tänzer: "Wo werden die Toten lebendig?" | Heinz Holliger, Eva Gilhofer, Hans Riediker, Chor Des Basler Theaters, Basler Sinfonie Orchester, Hans Zender | G Major | 0 | 9B | 77 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: III. Allegro ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | E♭ Major | 1 | 5B | 97 BPM | ||
Concerto Grosso No. 3 in F Major: III. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 135 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
3 Romances, Op. 94: No. 1 Nicht schnell | Robert Schumann, Heinz Holliger, Alfred Brendel | C Major | 1 | 8B | 174 BPM | ||
Concerto in C Minor for Violin & Oboe, BWV 1060R: 3. Allegro | Johann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | G Major | 2 | 9B | 78 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM |
Section: 0.7157154083251953
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