Arati Ankalikar Tikekar's 'Balamwa Tum Kya Jano Prit' came out on February 6, 2007. The duration of Balamwa Tum Kya Jano Prit is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Balamwa Tum Kya Jano Prit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Savalee". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Balamwa Tum Kya Jano Prit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Balamwa Tum Kya Jano Prit by Arati Ankalikar Tikekar having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mere Man Mein Baso Nandlaal | Dhruv Sharma | F♯ Minor | 6 | 11A | 168 BPM | ||
Shri Ram Stuti (Shri Ram Chandra Kripalu Bhajman) | Prateeksha Srivastava | A Major | 3 | 11B | 90 BPM | ||
yeh meri arzi hai | Nikkhil Beri, Kabul Rishi | B♭ Major | 4 | 6B | 79 BPM | ||
Om Jay Jagdish Hare | Satish Dehra | F Minor | 6 | 4A | 92 BPM | ||
Raha Mein Bichee (Without Ghunghroo) | Arati Ankalikar Tikekar, Shubha Joshi | E Major | 6 | 12B | 138 BPM | ||
Jayam Narasimha | ISKCON Bangalore | F Major | 7 | 7B | 146 BPM | ||
Bhaktiful Man Jhale | Ajit Kadkade | B Major | 6 | 1B | 144 BPM | ||
Kanha Mere | Shambhavi Thakur, Shubham Agrawal | F Major | 4 | 7B | 101 BPM | ||
Vande Krishna Nandakumara | Kshitij Tarey | D Major | 4 | 10B | 92 BPM | ||
Shuklambaradharam Vishnum | Suprabha KV | F Minor | 0 | 4A | 69 BPM |
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