- BPM
- 114
- Key
- F Major
- Camelot
- 7B
Kerker: The Belle of New York, Act 1: "Where'er you stray" (Harry, Chorus) - Gustave Kerker, Rita Williams Singers, Michael Collins & His Orchestra Information
- Acousticness
- 92%
- Danceability
- 54%
- Energy
- 26%
- Instrumentalness
- 0%
- Liveness
- 19%
- Loudness
- 84%
- Speechiness
- 4%
- Valence
- 71%
- Popularity
- 0%
- Loudness
- -9.327 dB
Summary
Gustave Kerker, Rita Williams Singers, Michael Collins & His Orchestra's ' "Kerker: The Belle of New York, Act 1: "Where'er you stray" (Harry, Chorus)" was released on its scheduled release date, November 25, 2005. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Kerker: The Belle of New York, Act 1: "Where'er you stray" (Harry, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vilem Tausky & His Orchestra/Michael Collins & His Orchestra's "Lehár: The Merry Widow; Cuvillier, Kerker" album is number 19 out of 23. In terms of popularity, Kerker: The Belle of New York, Act 1: "Where'er you stray" (Harry, Chorus) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Kerker: The Belle of New York, Act 1: "Where'er you stray" (Harry, Chorus) BPM
We consider the tempo marking of Kerker: The Belle of New York, Act 1: "Where'er you stray" (Harry, Chorus) by Gustave Kerker, Rita Williams Singers, Michael Collins & His Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
Kerker: The Belle of New York, Act 1: "Where'er you stray" (Harry, Chorus) Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Monkey Around | Ben Tostado, Brian Michael Hoffman, Josh Walden, Michael Wartella | G Major | 3 | 9B | 86 BPM | |
 | Avalon | Al Jolson | E♭ Major | 2 | 5B | 81 BPM | |
 | 23. My eyes are fully open to my awful situation | Arthur Sullivan, Jean Allister, John Reed, Kenneth Sandford, Orchestra of the Royal Opera House, Covent Garden, Isidore Godfrey | D Major | 3 | 10B | 116 BPM | |
 | Wond'rin' (Reprise) | The Charlottetown Festival | B♭ Major | 1 | 6B | 113 BPM | |
 | Sincerely/Goodnight, Sweetheart, Goodnight | Farah Alvin, Beth Malone, Bets Malone, Victoria Matlock | A♭ Minor | 3 | 1A | 89 BPM | |
 | The Riff Song (From "The Desert Song") - 1989 Remastered | Sigmund Romberg, Mario Lanza, Constantine Callinicos | C Major | 3 | 8B | 96 BPM | |
 | Peter's Lament | Peter Eksell | A Major | 4 | 11B | 75 BPM | |
 | Finale: Roaring On | Noah J. Ricketts, Original Broadway Cast of The Great Gatsby - A New Musical | G Minor | 5 | 6A | 120 BPM | |
 | Ruddigore: Trio: "My eyes are fully opened" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | G Major | 2 | 9B | 119 BPM | |
 | Please Don't Touch Me | Dianne Pilkington, Hadley Fraser, Josh Wilmott, Ensemble | D♭ Major | 4 | 3B | 143 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records