Frédéric Chopin, Dinu Lipatti's 'Chopin: Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo' came out on May 9, 2005. The duration of Chopin: Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Chopin: Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 26 in Chopin: The Complete Recordings by Frédéric Chopin, Dinu Lipatti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Chopin: Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin: Piano Sonata No. 3 in B Minor, Op. 58: II. Scherzo by Frédéric Chopin, Dinu Lipatti is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Piano Concerto No. 1, Op. 11 (Arr. Solo Piano by Eneri-Gorainoff): II. Romanze - Larghetto - Welte-Mignon 2160 | Frédéric Chopin, Irene Eneri-Gorainoff, Peter Phillips | E Major | 1 | 12B | 85 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Variations sur un air national allemand | Pianozone, Frédéric Chopin | E Major | 1 | 12B | 64 BPM | ||
Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM |
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