"Welcome to the Asylum" by Samuel Laflamme was released on December 18, 2013. With Welcome to the Asylum being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Outlast (Original Game Soundtrack)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Turks and Caicos Islands. Welcome to the Asylum is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Welcome to the Asylum by Samuel Laflamme having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alessa's Mother/No Oridinary Spider | Jeff Danna, Akira Yamaoka | D Minor | 3 | 7A | 160 BPM | ||
The Hour | Gustavo Santaolalla | D♭ Major | 0 | 3B | 86 BPM | ||
Sentinel I | Takeshi Furukawa | E♭ Major | 0 | 5B | 120 BPM | ||
Steel on Steel | Jeremy Soule | C Minor | 3 | 5A | 115 BPM | ||
Surgeon Sneaking, Pt. 1 | Samuel Laflamme | C Major | 4 | 8B | 91 BPM | ||
Show Me Your True Face | Samuel Laflamme | D♭ Major | 7 | 3B | 160 BPM | ||
The Final Movement | Nao Sato | C Major | 9 | 8B | 160 BPM | ||
Que Las Campanas Me Doblen | Carlos Viola | D Minor | 3 | 7A | 60 BPM | ||
The Clown | Michel F. April | B♭ Minor | 5 | 3A | 127 BPM | ||
The Quarantine Zone (20 Years Later) | Gustavo Santaolalla | C Minor | 1 | 5A | 115 BPM |
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