On January 8, 2015, the song "Kapitel 88.2 - Wie Google tickt - How Google Works" was released by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth. The duration of Kapitel 88.2 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Kapitel 88.2 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #192 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 88.2 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 88.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 88.2 - Wie Google tickt - How Google Works being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Sitio! | César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer | F Major | 1 | 7B | 75 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
I Puritani: Ah! Per sempre io ti perdei | Vincenzo Bellini, Aurelio Scotto, Przemysław Baranek | A♭ Major | 3 | 4B | 172 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Kapitel 60.2 & Kapitel 61.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | B♭ Major | 1 | 6B | 114 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Kapitel 1 & Kapitel 2.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Minor | 3 | 10A | 110 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | B♭ Major | 2 | 6B | 130 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Jessye Norman, Wiener Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 89 BPM | ||
Fauré: Requiem, Op. 48: I. Introitus - Kyrie | Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra | F Major | 1 | 7B | 81 BPM |
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