Wolfgang Amadeus Mozart, Julian Clarkson, Rod Gilfry, Alison Hagley, Hillevi Martinpelto, Bryn Terfel, English Baroque Soloists, John Eliot Gardiner's 'Le nozze di Figaro, K.492 / Act 2: Vostre dunque saran queste carte (Antonio, Conte, Figaro, Susanna, Contessa)' came out on January 1, 1994. The duration of Le nozze di Figaro, K.492 / Act 2: Vostre dunque saran queste carte (Antonio, Conte, Figaro, Susanna, Contessa) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Le nozze di Figaro, K.492 / Act 2: Vostre dunque saran queste carte (Antonio, Conte, Figaro, Susanna, Contessa)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, English Baroque Soloists, John Eliot Gardiner's "Mozart: Le Nozze di Figaro" album is number 8 out of 82. In terms of popularity, Le nozze di Figaro, K.492 / Act 2: Vostre dunque saran queste carte (Antonio, Conte, Figaro, Susanna, Contessa) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 2: Vostre dunque saran queste carte (Antonio, Conte, Figaro, Susanna, Contessa) by Wolfgang Amadeus Mozart, Julian Clarkson, Rod Gilfry, Alison Hagley, Hillevi Martinpelto, Bryn Terfel, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Symphony No. 41 in C Major, K. 551, "Jupiter": II. Andante cantabile | Wolfgang Amadeus Mozart, Kammerakademie Potsdam, Antonello Manacorda | F Major | 0 | 7B | 78 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: 2. Adagio (Cadenza: Robert Levin) | Wolfgang Amadeus Mozart, Robert Levin, Gidon Kremer, Wiener Philharmoniker, Nikolaus Harnoncourt | D Major | 0 | 10B | 88 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM | ||
Chopin: 12 Études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Frédéric Chopin, Boris Berezovsky | F Minor | 2 | 4A | 84 BPM |
Section: 0.6499233245849609
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