"Etude No. 19 in g" by Cyrille Rose, John Walker, Christopher Hill and John Walker was released on January 1, 2006. The duration of Etude No. 19 in g is about 3 minutes long, at 3:24. Based on our data, "Etude No. 19 in g" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Rose Etudes". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. The popularity of Etude No. 19 in g is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etude No. 19 in g by Cyrille Rose, John Walker, Christopher Hill and John Walker having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude No. 15 in b | Cyrille Rose, John Walker, Christopher Hill and John Walker | B Major | 1 | 1B | 76 BPM | ||
Clarinet Sonata No. 2 in Eb, Op. 120, No. 2 | Johannes Brahms, Leslie Craven, Michael Pollock | A♭ Major | 1 | 4B | 62 BPM | ||
Fantasy | Fritz Kroepsch, Ludmila Peterková, Irina Kondratenko | F Major | 1 | 7B | 70 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVI. Toccata (Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: II. Episodes: II | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Romeo and Juliet, Op. 64: I. Introduction | Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic | D Major | 0 | 10B | 77 BPM | ||
Danses Imaginàries III. Dansa de Primavera | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Mendelssohn: Sonata in F Major, MWV Q26: II. Adagio | Felix Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Major | 1 | 11B | 68 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 3 Warum sind denn die Rosen so blass | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM |
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