John Blow, Jonathan Cohen, Arcangelo, Samuel Boden, Thomas Walker's ' "An Ode on the Death of Mr Henry Purcell: VI. The Heavenly Choir, Who Heard His Notes from High –" was released on its scheduled release date, September 29, 2017. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 29 in Blow: An Ode on the Death of Mr Henry Purcell & Other Works by John Blow, Arcangelo, Jonathan Cohen. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. An Ode on the Death of Mr Henry Purcell: VI. The Heavenly Choir, Who Heard His Notes from High – is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of An Ode on the Death of Mr Henry Purcell: VI. The Heavenly Choir, Who Heard His Notes from High – by John Blow, Jonathan Cohen, Arcangelo, Samuel Boden, Thomas Walker is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Harmonia a cinque con basso continuo in B-Flat Major | Johann Heinrich Schmelzer, Theatre of Early Music, Schola Cantorum, Daniel Taylor | A Major | 0 | 11B | 77 BPM | ||
Dieupart: Harpsichord Suite No. 5 in G Major: VII. Gigue (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto "Israel, hoffe auf den Herren" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
Venus & Adonis - Ed. Bruce Wood for the Early English Opera Society - Act 2: Chorus Of The Graces | John Blow, Julia Gooding, Christopher Robson, Simon Grant, New London Consort, Philip Pickett | E Major | 2 | 12B | 111 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Polonaise in F Major, BWV Anh. 117 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM |