"Piano Quintet, Op. 18: 1. Moderato con moto" by Mieczysław Weinberg, Yulianna Avdeeva, Kremerata Baltica, Gidon Kremer was released on January 13, 2017. Since Piano Quintet, Op. 18: 1. Moderato con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mieczysław Weinberg, Kremerata Baltica, Gidon Kremer's "Mieczysław Weinberg: Chamber Symphonies, Piano Quintet" album is number 12 out of 20. Piano Quintet, Op. 18: 1. Moderato con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Quintet, Op. 18: 1. Moderato con moto by Mieczysław Weinberg, Yulianna Avdeeva, Kremerata Baltica, Gidon Kremer to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miroirs, M. 43: No. 3, Une barque sur l'océan | Maurice Ravel, Bruce Liu | F♯ Minor | 1 | 11A | 71 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM | ||
Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 87 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: Intermezzo I | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | F♯ Major | 0 | 2B | 83 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Nos souvenirs | Ernest Chausson, Christian-Pierre La Marca | D♭ Minor | 1 | 12A | 0 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM |
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