"Swan Lake, Ballet suite, op. 20a: II. Waltz" by Symphonic Festival Orchestra, Alberto Lizzio was released on 1991. Since Swan Lake, Ballet suite, op. 20a: II. Waltz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Slovak Philharmonic, Symphonic Festival Orchestra's "Music For The Millions Vol. 40 - Pjotr I. Tchaikovsky" album is number 5 out of 11. In terms of popularity, Swan Lake, Ballet suite, op. 20a: II. Waltz is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Swan Lake, Ballet suite, op. 20a: II. Waltz by Symphonic Festival Orchestra, Alberto Lizzio to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
Noches en los Jardines de España, G. 49: 1. En el Generalife | Manuel de Falla, National Orchestra of Spain, Ataúlfo Argenta | A♭ Major | 3 | 4B | 79 BPM | ||
Hunting (Fast Polka), Op. 373 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 3 | 11B | 167 BPM | ||
25 Études faciles et progressives, Op. 100: No. 22, Barcarolle | Franz Burgmüller, The Gerst Ensemble | A♭ Major | 0 | 4B | 58 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 154 BPM | ||
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM | ||
Concerto No. 1 in D Major, K.412/518: I. Allegro | Wolfgang Amadeus Mozart, Felix Klieser, Camerata Salzburg | D Major | 1 | 10B | 121 BPM | ||
Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM |
Section: 0.7165391445159912
End: 0.72627854347229