"Stille Nacht, heilige Nacht" by Maria Stader, Hedwig Bilgram, Otto Büchner, Kurt-Christian Stier, Georg Schmid, Walter Reichhardt, Franz Ortner, Rudolf Gall, Albrecht Weigler, Walther Theurer, Munich Chorknaben was released on January 1, 2003. The duration of Stille Nacht, heilige Nacht is about 3 minutes long, at 3:06. Based on our data, "Stille Nacht, heilige Nacht" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #34. Stille Nacht, heilige Nacht is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stille Nacht, heilige Nacht by Maria Stader, Hedwig Bilgram, Otto Büchner, Kurt-Christian Stier, Georg Schmid, Walter Reichhardt, Franz Ortner, Rudolf Gall, Albrecht Weigler, Walther Theurer, Munich Chorknaben having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A♭ Major | 0 | 4B | 81 BPM | ||
Cantata No.202 "Weichet nur, betrübte Schatten" (Wedding Cantata), BWV 202: 1. Adagio: Weichet nur, betrübte Schatten | Johann Sebastian Bach, Maria Stader, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram | G Major | 1 | 9B | 116 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Messa da Requiem: VII. Libera me | Giuseppe Verdi, Maria Stader, RIAS-Symphonie-Orchester, Ferenc Fricsay, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin | F Minor | 3 | 4A | 97 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht" | Franz Schubert, Gewandhausorchester, Kurt Masur, MDR Leipzig Radio Chorus | G Major | 0 | 9B | 85 BPM | ||
Requiem aeternam: Requiem aeternam | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 111 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Overture in D Major, Op. 4 No. 6, WKO 12: III. Presto | Carl Friedrich Abel, Kölner Akademie, Michael Alexander Willens | A♭ Major | 2 | 4B | 159 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Sois la bienvenu | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Les Cris De Paris | A Major | 0 | 11B | 173 BPM |
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