"Suite Oriental (Suite Árabe): III. Marcha oriental" by Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González was released on September 9, 2016. The duration of Suite Oriental (Suite Árabe): III. Marcha oriental is about 3 minutes long, at 3:03. Based on our data, "Suite Oriental (Suite Árabe): III. Marcha oriental" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González's "Granados: Liliana, Suite Oriental & Elisenda" album is number 7 out of 11. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Suite Oriental (Suite Árabe): III. Marcha oriental's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite Oriental (Suite Árabe): III. Marcha oriental by Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Serenata españole | Joaquín Malats, Pepe Romero | A Major | 0 | 11B | 82 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Valses Poéticos H. 147, DLR 7:8: No. 1: Melódico | Enrique Granados, Xavier De Maistre | A Major | 0 | 11B | 149 BPM |
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