"Bach Dreams: I. Herr, unser Herrscher - After Johannespassion, BWV 245 [Live]" by Ben Palmer, Johann Sebastian Bach, Jacques Ammon, Deutsches Kammerorchester Berlin was released on March 3, 2017. With this song being about 5 minutes long, at 4:57, "Bach Dreams: I. Herr, unser Herrscher - After Johannespassion, BWV 245 [Live]" by Ben Palmer, Johann Sebastian Bach, Jacques Ammon, Deutsches Kammerorchester Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Neue Meister Live in Berlin". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Bach Dreams: I. Herr, unser Herrscher - After Johannespassion, BWV 245 [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach Dreams: I. Herr, unser Herrscher - After Johannespassion, BWV 245 [Live] by Ben Palmer, Johann Sebastian Bach, Jacques Ammon, Deutsches Kammerorchester Berlin having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Escape to the Woods | Alex Baranowski, Andy Brown, London Metropolitan Orchestra | B Minor | 1 | 10A | 125 BPM | ||
Ouverture | Florian Christl, NDR Radiophilharmonie, Ben Palmer | D Minor | 2 | 7A | 90 BPM | ||
Maya | Mychael Danna | C Major | 1 | 8B | 111 BPM | ||
The Seasons, Hob.XXI 3 Autumn: No. 18, That Which Spring has Promis’d (Introduction, Accompaniment & Recitative) | Joseph Haydn, Carolyn Sampson, Jeremy Ovenden, Andrew Foster-Williams, Paul McCreesh, Ben Palmer, Wroclaw Baroque Orchestra | G Major | 0 | 9B | 108 BPM | ||
The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
Brianna and Roger Theme | Bear McCreary | A Minor | 1 | 8A | 128 BPM | ||
I giorni: Andante | Ludovico Einaudi, NDR Radiophilharmonie, Johanna Röhrig, Rahel Senn, Michael England | D Major | 3 | 10B | 87 BPM | ||
The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM |
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