"Le Conservatoire, "Newspaper Courtship": Act II: Then Erneste steps in" by Hans Christian Lumbye, Holger Simon Paulli, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. The duration of Le Conservatoire, "Newspaper Courtship": Act II: Then Erneste steps in is about 3 minutes long, at 3:12. Based on our data, "Le Conservatoire, "Newspaper Courtship": Act II: Then Erneste steps in" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. In terms of popularity, Le Conservatoire, "Newspaper Courtship": Act II: Then Erneste steps in is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Conservatoire, "Newspaper Courtship": Act II: Then Erneste steps in by Hans Christian Lumbye, Holger Simon Paulli, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellmansmelodier for Orkester: IV. Fjaril vingad syns pa Haga | August Söderman, Symphony Orchestra Of Norrlands Opera, Roy Goodman | A♭ Major | 0 | 4B | 0 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Napoli: Act III: Tarantella | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | D Major | 1 | 10B | 147 BPM | ||
Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt) | Sir Henry Wood, BBC Concert Orchestra, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
Suite bergamasque, L.75 - Orch. Henri Pierre Edouard Mouton: Clair de lune | Claude Debussy, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 77 BPM | ||
Militair Galop - 1845 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 89 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Miss Melanie | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 0 | 11B | 109 BPM |
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