"Strong On Oaks, Strong On The Causes Of Oaks, Pt. 4" by Michael Nyman, John Tavener, English Sinfonia, Bramwell Tovey was released on January 1, 1998. The duration of Strong On Oaks, Strong On The Causes Of Oaks, Pt. 4 is about 3 minutes long, at 3:05. Based on our data, "Strong On Oaks, Strong On The Causes Of Oaks, Pt. 4" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Nyman: Strong on Oaks / Tavener: Protecting Veil". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Strong On Oaks, Strong On The Causes Of Oaks, Pt. 4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strong On Oaks, Strong On The Causes Of Oaks, Pt. 4 by Michael Nyman, John Tavener, English Sinfonia, Bramwell Tovey having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wheelbarrow Walk | Michael Nyman | C Major | 3 | 8B | 144 BPM | ||
Pavane Op.50 | Paris France Royal Philharmonic Orchestra | F♯ Minor | 2 | 11A | 87 BPM | ||
Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
The Gravel Road - Score | James Newton Howard | G Minor | 1 | 6A | 86 BPM | ||
Moonlight | Mari Samuelsen | D♭ Minor | 3 | 12A | 85 BPM | ||
By Night | Sophie Hutchings | B♭ Major | 2 | 6B | 104 BPM | ||
Here To There | Michael Nyman | C Major | 2 | 8B | 120 BPM | ||
Smiles For Y | Ezio Bosso | C Minor | 2 | 5A | 142 BPM |
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