Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon's 'A Moorside Suite, H. 173: III. March' came out on January 1, 2006. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 15 in Composer's Collection: Gustav Holst by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon. Based on our statistics, A Moorside Suite, H. 173: III. March's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Moorside Suite, H. 173: III. March by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pageant, Op. 59 | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 1 | 6B | 131 BPM | ||
Suite of Old American Dances: II. Schottische | Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro Corporon | D Major | 0 | 10B | 123 BPM | ||
Arabesque | Samuel R. Hazo, Midwest Wind Ensemble | F Minor | 4 | 4A | 104 BPM | ||
Winds of Nagual: Asking Twilight for Calmness and power | Michael Colgrass, Cincinnati Wind Symphony, Eugene Migliaro Corporon | F Minor | 0 | 4A | 173 BPM | ||
Soundings: I. Fanfare | Cindy McTee, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 2 | 6B | 138 BPM | ||
Hymn to a Blue Hour | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 1 | 5A | 69 BPM | ||
Sasparilla | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 3 | 7B | 141 BPM | ||
Medieval Suite: III. Homage to Machaut | Ron Nelson, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 0 | 7A | 67 BPM | ||
Symphony in B-Flat Major: II. Andantino grazioso | Paul Hindemith, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 1 | 4B | 146 BPM | ||
A Somerset Rhapsody, Op. 21, No. 2 | Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | B Minor | 0 | 10A | 65 BPM |
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