Le Comte Ory, Act I: Act I: Cet ecrit, noble chatelaine (Countess)
Gioachino Rossini, Sari Barabas, Glyndebourne Festival Orchestra, Vittorio Gui
Rossini: Le comte Ory (The Count Ory)
5:53 August 1, 2014
BPM
129
Key
A Major
Camelot
11B

Embed

Share Link

Le Comte Ory, Act I: Act I: Cet ecrit, noble chatelaine (Countess) - Gioachino Rossini, Sari Barabas, Glyndebourne Festival Orchestra, Vittorio Gui Information

Acousticness
97%
Danceability
43%
Energy
46%
Instrumentalness
4%
Liveness
25%
Loudness
83%
Speechiness
5%
Valence
37%
Popularity
Loudness
-10.212 dB

Summary

Gioachino Rossini, Sari Barabas, Glyndebourne Festival Orchestra, Vittorio Gui's 'Le Comte Ory, Act I: Act I: Cet ecrit, noble chatelaine (Countess)' came out on August 1, 2014. Le Comte Ory, Act I: Act I: Cet ecrit, noble chatelaine (Countess) is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. There are a total of 20 in the song's album "Rossini: Le comte Ory (The Count Ory)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Italy. Based on our statistics, Le Comte Ory, Act I: Act I: Cet ecrit, noble chatelaine (Countess)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Le Comte Ory, Act I: Act I: Cet ecrit, noble chatelaine (Countess) BPM

With Le Comte Ory, Act I: Act I: Cet ecrit, noble chatelaine (Countess) by Gioachino Rossini, Sari Barabas, Glyndebourne Festival Orchestra, Vittorio Gui having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Le Comte Ory, Act I: Act I: Cet ecrit, noble chatelaine (Countess) Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lucia di Lammermoor / Act 2: Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento"Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeD♭ Major33B73 BPM
Bellini: Norma, Act 1: Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus)Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, MilanoF Major27B88 BPM
Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace by Ludwig van Beethoven, London Symphony Orchestra, Yondani ButtSymphony No. 8 in F Major, Op. 93: IV. Allegro vivaceLudwig van Beethoven, London Symphony Orchestra, Yondani ButtF Major27B133 BPM
Carmen: Act II: Toreador Song: Votre toast, je peux vous le rendre by Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan MarinovCarmen: Act II: Toreador Song: Votre toast, je peux vous le rendreGeorges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan MarinovF Minor44A115 BPM
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estateAntonio Vivaldi, Europa Galante, Fabio BiondiF♯ Major62B85 BPM
Jazz Suite No. 2: VIII. Finale by Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyJazz Suite No. 2: VIII. FinaleDmitri Shostakovich, Russian State Symphony Orchestra, Dmitry YablonskyF Major47B141 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: I. PréludeGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezC Minor05A87 BPM
Sorochintsi Fair, Act I: Gopak (Hopak) by Modest Mussorgsky, Slovak Philharmonic, Kenneth JeanSorochintsi Fair, Act I: Gopak (Hopak)Modest Mussorgsky, Slovak Philharmonic, Kenneth JeanG Major29B127 BPM
Das Liebesverbot: Overture by Richard Wagner, Staatskapelle Dresden, Giuseppe SinopoliDas Liebesverbot: OvertureRichard Wagner, Staatskapelle Dresden, Giuseppe SinopoliG Major69B120 BPM
La Cenerentola, Act II: Nacqui all'affanno e al pianto by Gioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyLa Cenerentola, Act II: Nacqui all'affanno e al piantoGioachino Rossini, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyE Major312B130 BPM
ISRC
ITCC51100244
Label
L-M Records/RCA Records

Section: 0.6967425346374512

End: 0.7006659507751465