Johann Sebastian Bach, William J. Bell, David Zerkel, Paolo Andre Gualdi made "Air and Bouree (arr. W.J. Bell): Bouree" available on July 5, 2011. With Air and Bouree (arr. W.J. Bell): Bouree being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Tuba Helper". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United States. Based on our statistics, Air and Bouree (arr. W.J. Bell): Bouree's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Air and Bouree (arr. W.J. Bell): Bouree by Johann Sebastian Bach, William J. Bell, David Zerkel, Paolo Andre Gualdi having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother of a Revolution | Omar Thomas, University of Kansas Wind Ensemble, Paul Popiel | D♭ Major | 4 | 3B | 103 BPM | ||
Quintet No. 1 in B-Flat Minor: III. Allegro moderato | Victor Ewald, Center City Brass Quintet | B♭ Major | 1 | 6B | 138 BPM | ||
Fuge in G Minor, BWV 578 | Johann Sebastian Bach, Harmonic Brass | G Minor | 3 | 6A | 87 BPM | ||
Trittico: I. Allegro maestoso | Václav Nelhýbel, Dallas Wind Symphony, Frederick Fennell | G Minor | 2 | 6A | 74 BPM | ||
Candide: IV. Glitter and Be Gay | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | A♭ Major | 1 | 4B | 78 BPM | ||
Carmen Fantasy - II. Seguidilla: (Bizet) | Joseph Alessi | F Major | 1 | 7B | 71 BPM | ||
Tableaux de Provence: II. Cansoun per ma Mio | Paule Maurice, Dominic Childs, Simon Callaghan | G Major | 0 | 9B | 65 BPM | ||
Romance, Op. 21. Moderato | Axel Jørgensen, Jörgen Van Rijen, Alla Libo | D Major | 0 | 10B | 136 BPM | ||
Music for the Royal Fireworks, HWV 351: Overture (Arr. L. Karlin for Trombone Ensemble) | George Frideric Handel, Trombone Unit Hannover, Yuval Wolfson, Martin Hennecke, Dominik Minsch, Johann Walter | G Major | 1 | 9B | 112 BPM | ||
Goldberg Variations, BWV 988: Var. 8 a 2 Clav. | Johann Sebastian Bach, Catrin Finch | C Major | 4 | 8B | 140 BPM |
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