Georg Friedrich Haas, Klangforum Wien, Peter Rundel, Michael Volle, Helmut Windhaber, Johannes Schmidt, Matteo de Monti's 'Nacht, Scene 2: Ich habe nichts, ... (Der Tenor, Der Bariton, Der Bass, Der Sprecher)' came out on July 8, 1998. The duration of Nacht, Scene 2: Ich habe nichts, ... (Der Tenor, Der Bariton, Der Bass, Der Sprecher) is about 3 minutes long, at 3:28. Based on our data, "Nacht, Scene 2: Ich habe nichts, ... (Der Tenor, Der Bariton, Der Bass, Der Sprecher)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Georg Friedrich Haas, Julie Moffat, Helmut Windhaber, Peter Rundel, Klangforum Wien's "Haas - Night" album is number 2 out of 24. On top of that, Austria appears to be the country where this track was created. Nacht, Scene 2: Ich habe nichts, ... (Der Tenor, Der Bariton, Der Bass, Der Sprecher) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Nacht, Scene 2: Ich habe nichts, ... (Der Tenor, Der Bariton, Der Bass, Der Sprecher) by Georg Friedrich Haas, Klangforum Wien, Peter Rundel, Michael Volle, Helmut Windhaber, Johannes Schmidt, Matteo de Monti to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mairzy Doats | Stuart Dempster, Pauline Oliveros, David Gamper, Zero the Clown, Deep Listening Band | A♭ Major | 1 | 4B | 66 BPM | ||
Opus No. 5 Karsten Masch - Tubae Spei - The Trumpets Of Hope | Karsten Masch | E♭ Major | 0 | 5B | 98 BPM | ||
Ligeti : Requiem : III De die judicii sequentia | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 2 | 3B | 81 BPM | ||
Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
Imperial Dreams Don't Die | Fiona Ubong | A♭ Major | 0 | 4B | 71 BPM | ||
Solstices, Overtone Low F# - Live | Georg Friedrich Haas, FontanaMIXensemble | G Major | 2 | 9B | 77 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Sollima: Moghul | Giovanni Sollima, Il Pomo D'oro | B Major | 0 | 1B | 133 BPM | ||
Spring | YAKSHA MUSIK | D♭ Major | 2 | 3B | 117 BPM | ||
Sound Patterns | Pauline Oliveros, Brandeis University Chamber Chorus, Alvin Lucier | F Major | 3 | 7B | 172 BPM |
Section: 0.5746448040008545
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