Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Cadenza: Malcolm Bilson
Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner
Mozart, W.A.: The Piano Concertos
8:57 January 1, 1999
BPM
97
Key
B♭ Major
Camelot
6B

Embed

Share Link

Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Cadenza: Malcolm Bilson - Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner Information

Acousticness
98%
Danceability
28%
Energy
3%
Instrumentalness
91%
Liveness
8%
Loudness
55%
Speechiness
3%
Valence
9%
Popularity
Loudness
-27.042 dB

Summary

"Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Cadenza: Malcolm Bilson" by Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1999. Since Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Cadenza: Malcolm Bilson is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner's "Mozart, W.A.: The Piano Concertos" album is number 5 out of 71. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Cadenza: Malcolm Bilson is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Cadenza: Malcolm Bilson BPM

We consider the tempo marking of Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Cadenza: Malcolm Bilson by Wolfgang Amadeus Mozart, Malcolm Bilson, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Piano Concerto No. 20 in D Minor, K. 466: II. Romance - Cadenza: Malcolm Bilson Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe by Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus WienMozart: Requiem in D Minor, K. 626: IX. Domine Jesu ChristeWolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Kurt Equiluz, Ortrun Wenkel, Rachel Yakar, Robert Holl, Nikolaus Harnoncourt, Concentus Musicus WienB Major11B86 BPM
Sinfonia for Strings in G major, RV 149: II. Andante by Karoly BotvaySinfonia for Strings in G major, RV 149: II. AndanteKaroly BotvayD Major010B114 BPM
Carnaval, Op. 9: XII. Chopin by Robert Schumann, Daniil TrifonovCarnaval, Op. 9: XII. ChopinRobert Schumann, Daniil TrifonovE Major012B68 BPM
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 by Janos Sebestyen, Johann Sebastian BachPrelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926Janos Sebestyen, Johann Sebastian BachG Minor26A126 BPM
24 Preludes, Op. 28: Prelude No. 9 in E Major, Op. 28, No. 9 by Frédéric Chopin, Idil Biret24 Preludes, Op. 28: Prelude No. 9 in E Major, Op. 28, No. 9Frédéric Chopin, Idil BiretE Major012B78 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro moltoFranz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major28B81 BPM
Der Stein der Weisen, Act I: Chorus and Solo. Seht doch! Mit gold'nem Geweih by Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin DeasDer Stein der Weisen, Act I: Chorus and Solo. Seht doch! Mit gold'nem GeweihWolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin DeasE♭ Major25B77 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitL'Arlésienne Suite No. 1, WD 40: 3. AdagiettoGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitF Major07B86 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile by Max Bruch, Joshua Bell, Academy of St. Martin in the FieldsScottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabileMax Bruch, Joshua Bell, Academy of St. Martin in the FieldsE♭ Major25B60 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
ISRC
DEF058603383
Label
L-M Records/RCA Records

Section: 0.6424663066864014

End: 0.646073579788208