"Symphony No.1 in E major, op.39: IV. Finale-Quasi una fantasia-Andante-Allegro molto" by London Symphony Orchestra, Robert Kajanus was released on November 27, 2011. Symphony No.1 in E major, op.39: IV. Finale-Quasi una fantasia-Andante-Allegro molto appears to be safe for all ages as it is not explicit. There is only one song in 1-2-3 - Greatest Symphonies, so we believe that "Symphony No.1 in E major, op.39: IV. Finale-Quasi una fantasia-Andante-Allegro molto" is a single. Symphony No.1 in E major, op.39: IV. Finale-Quasi una fantasia-Andante-Allegro molto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.1 in E major, op.39: IV. Finale-Quasi una fantasia-Andante-Allegro molto by London Symphony Orchestra, Robert Kajanus is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D minor, K.626: 3. Sequentia: Dies irae | Wolfgang Amadeus Mozart, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | G Minor | 4 | 6A | 162 BPM | ||
Egmont Overture, Op. 84 - Remastered | Ludwig van Beethoven, George Szell, Cleveland Orchestra | F Minor | 1 | 4A | 83 BPM | ||
The Planets, Op. 32: V. Saturn, the Bringer of Old Age | Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes | C Major | 0 | 8B | 63 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, London Symphony Orchestra, Leopold Stokowski | D Major | 4 | 10B | 97 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 1 | 8B | 79 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Holst : The Planets Op.32 : VI Uranus, the Magician | Gustav Holst, Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Owain Arwel Hughes | C Major | 2 | 8B | 177 BPM |
Section: 0.5885136127471924
End: 0.5933334827423096