Adam de la Halle, Volker von Mozart's ' "Li maus d´amer me plaist miex a sentir" was released on its scheduled release date, November 13, 2023. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Adam de la Halle, Volker von Mozart's "Le Bossu d'arras - Musique Moyen-Age" album is number 15 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Li maus d´amer me plaist miex a sentir's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Li maus d´amer me plaist miex a sentir by Adam de la Halle, Volker von Mozart to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Maria Balteira, por que jogades | Anónimo, Manseliña | D Major | 1 | 10B | 98 BPM | ||
Le jeu de robin et marion: Scène 5 - le retour du chevalier, L'enlèvement de marion | Adam de la Halle, Guy Robert, Ensemble Perceval, Solange Boulanger, Jean-Paul Racodon, Alain Serve, Catherine Schroeder, Vincent Audat, Katia Caré | D♭ Major | 1 | 3B | 99 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Le jeu de robin et marion: Scène 9 - le repas | Adam de la Halle, Guy Robert, Ensemble Perceval, Solange Boulanger, Jean-Paul Racodon, Alain Serve, Catherine Schroeder, Vincent Audat, Katia Caré | F♯ Major | 1 | 2B | 100 BPM | ||
Aucun se sont loé d'amours/A Dieu commant amouretes/Super te (Motet) | Adam de la Halle, Sequentia | D Major | 1 | 10B | 80 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
O quanta qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
Fontana che dai acqua | Giovanni Domenico del Giovane da Nola, Shirley Rumsey | E Major | 0 | 12B | 71 BPM |