Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman - Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra Information

Acousticness: 78%
Danceability: 22%
Energy: 26%
Instrumentalness: 71%
Liveness: 30%
Loudness: 74%
Speechiness: 5%
Valence: 8%
Popularity: 0%
Loudness: -15.722 dB

Summary

"Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman" by Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra was released on 1957. Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman appears to be safe for all ages as it is not explicit. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #19. Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman BPM

With Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman by Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman Key

This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mephisto Waltz No. 1, S. 514	Franz Liszt, Khatia Buniatishvili	E Major	2	12B	132 BPM
Elfentanz, Op. 39 - Dance of the Elves	David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov	G Major	4	9B	96 BPM
Nocturne No.2 in E flat major, Op.9 No.2	Frédéric Chopin, Vladimir Ashkenazy	B♭ Major	0	6B	129 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel	C Major	1	8B	127 BPM
Jazz Suite No. 2: IV. Waltz 1	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	B♭ Major	2	6B	109 BPM
Polka Italienne	La Sinfónica Clásica	E♭ Major	2	5B	126 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
Peter and the Wolf, Op. 67 (Without Narration): The Bird	Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard	C Major	0	8B	99 BPM
Serenade for strings in E Minor, Op. 20	Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner	E Minor	1	9A	81 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin)	Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max	A♭ Major	0	4B	88 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.753288745880127

End: 0.7569632530212402