Radoslaw Pallarz, Franz Bach, Emily Korner, Bernhard Lörcher, Jakob Lustig, Tabea Schmidt, Philippe Tondre, Felix von Tippelskirch made "Accepi Epistulam Tuam" available on November 4, 2016. With this song being about 5 minutes long, at 4:36, "Accepi Epistulam Tuam" by Radoslaw Pallarz, Franz Bach, Emily Korner, Bernhard Lörcher, Jakob Lustig, Tabea Schmidt, Philippe Tondre, Felix von Tippelskirch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Pompeji". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Accepi Epistulam Tuam's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Accepi Epistulam Tuam by Radoslaw Pallarz, Franz Bach, Emily Korner, Bernhard Lörcher, Jakob Lustig, Tabea Schmidt, Philippe Tondre, Felix von Tippelskirch having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Was war das denn? | Radoslaw Pallarz, Jasmin Bachmann, Christina Singer, Anne Angerer, Gesa Jenne, Hendrik Then-Bergh, Frederik Stock | A Minor | 4 | 8A | 125 BPM | ||
Moments of Peace - Fantasy Instrumental | MoeSync | F Major | 2 | 7B | 140 BPM | ||
Piano Trio in A Major, Posth.: II. Vivace | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
Sonata No. 5 in F Major: I. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 73 BPM | ||
Sonata for Arpeggione and Keyboard in A Minor, D. 821: II. Adagio - Arr. for Harp and Cello by Anja Linder | Anja Linder, Julie Sévilla-Fraysse | C Minor | 0 | 5A | 93 BPM | ||
Concerto for Cello and Wind Orchestra: II. Idylle | Friedrich Gulda, Ernst Simon Glaser, Norwegian Navy Band Bergen, Peter Szilvay | A Minor | 0 | 8A | 82 BPM | ||
Summer | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
Sonata No. 4 in F Major: III. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 73 BPM | ||
A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM |
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