"Piano Concerto No. 1: Second movement" by Carl Vine, Edo de Waart, Michael Kieran Harvey, Sydney Symphony Orchestra was released on 2000. Since Piano Concerto No. 1: Second movement is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 9 in Carl Vine: Choral Symphony by Carl Vine, Michael Kieran Harvey, Edo de Waart, Sydney Symphony Orchestra. Piano Concerto No. 1: Second movement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 1: Second movement by Carl Vine, Edo de Waart, Michael Kieran Harvey, Sydney Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quintet | Pierre Jalbert, Steven Stucky, Carl Vine, The Jupiter String Quartet, Bernadette Harvey | B♭ Minor | 1 | 3A | 169 BPM | ||
The Enchanted Loom (Symphony No. 8): IV. Euphoria - Recorded live on 30 August and 1 September 2018 at Hamer Hall, Melbourne | Carl Vine, Melbourne Symphony Orchestra, Sir Andrew Davis | D♭ Major | 3 | 3B | 80 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
Love Me Sweet (Arr. For Oboe) | Carl Vine, Diana Doherty, Mark Summerbell, Sinfonia Australis | B♭ Minor | 1 | 3A | 77 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IV: L'istesso tempo (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Serenade for Strings in E Major, Op. 22: I. Moderato | Antonín Dvořák, Czech Philharmonic Chamber Orchestra, Petr Nouzovský, Stanislav Vavřínek | D Major | 9 | 10B | 167 BPM | ||
Confessions: Dog and Frog | Orchestra of the Swan, David Gordon, Mark Ashford, Diane Clark | A Minor | 0 | 8A | 62 BPM | ||
2 Mélodies hébraïques, M.22: 2. L'énigme Eternelle (Performed On Viola And Piano) | Maurice Ravel, Danusha Waskiewicz, Andrea Rebaudengo | C Minor | 0 | 5A | 69 BPM |
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