Carl Philipp Emanuel Bach, Ensemble Eduard Melkus, Eduard Melkus's '5 Polonaisen Wq. 190: 1. Polonaise in D major' came out on January 1, 1994. With 5 Polonaisen Wq. 190: 1. Polonaise in D major being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 135 in Dance Music Through the Ages: Renaissance; Early Baroque; High Baroque; Rococo; Viennese Classical Period; Biedermeier Period by Konrad Ragossnig, Ulsamer Collegium, Ensemble Eduard Melkus, Josef Ulsamer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 5 Polonaisen Wq. 190: 1. Polonaise in D major is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 5 Polonaisen Wq. 190: 1. Polonaise in D major by Carl Philipp Emanuel Bach, Ensemble Eduard Melkus, Eduard Melkus is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture for Flute and Bassoon in G Major: IV. Menuet | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 0 | 2B | 120 BPM | ||
Trumpet Concerto in D Major, G. 28: III. Allegro | Giuseppe Torelli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
Ariette "D'amor per te languisco", H. 767, Wq. 213 | Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann Moulin | B♭ Minor | 3 | 3A | 69 BPM | ||
Symphony No. 1 in B-Flat Major - Transcr. by Lambert: 1. Allegro | William Boyce, English Chamber Orchestra, Emanuel Hurwitz | C Minor | 5 | 5A | 152 BPM | ||
Trio: II. Andante cantabile | Anton Diabelli, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act III. Symphony While the Swans Come Forward | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 0 | 10A | 78 BPM | ||
Concerto grosso in F, Op. 3, No. 4bis: 3. Largo | George Frideric Handel, English Chamber Orchestra, Raymond Leppard, Leslie Pearson, John Constable | G Minor | 2 | 6A | 83 BPM | ||
Sinfonia di concerto grosso No. 1 in F Major: Allegro - Adagio - Allegro - Adagio - Allegro | Alessandro Scarlatti | F Major | 2 | 7B | 124 BPM | ||
Oboenkonzert in D-Moll: I. Andante e spiccato | Alessandro Marcello, Südwestdeutsches Kammerorchester Pforzheim, Paul Angerer, Helmut Hucke | D Minor | 2 | 7A | 138 BPM | ||
12 Trio Sonate, Op. 3: Sonata No. 9 in re maggiore: II. Allegro Assai | Giuseppe Tartini, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM |
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